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Newsletter February 2005
Lutz Kirchhof
This Newsletter presents two new programs arranged for the season 2005/2006:
LA BELLE LUCRECE (the cute Lucretia) a solo program for 24-stringed barock lute and
WOL AUFF MEIN JUNGES
TÖCHTERLEIN, (Get up my young little daughter), a duet with Martina
Degen, here playing a brilliant treble viol.
In our time which increasingly is perceived as worrying and upsetting this
intimate, merry and warm music can produce a balance to the outside world and
pleasant thoughts for the audience.
Lutz Kirchhof
LA BELLE LUCRECE
Dancelike Highbarock Luteart
LUTZ KIRCHHOF, Baroque Lute
The lute compositions of this program are upheld by
sophisticated dance rhythms, which are presented in stylized forms which realize
a universal dance existing beyond physical dancing. Due to the mystical ideas of
ancient lute masters this music is able to express things which cannot be
formulated by normal language. The listener will be brought into another world
which exists far from everyday impressions to finest emotionality, clearness and
harmony.
Both parts of the program start with very mysterious and subtle compositions.
The following works are full of a sparkling joy of life and gallant sensibility.
Lutz Kirchhof, Baroque Lute
Jacques Gallot SUITE FIS – MOLL
(2. Hälfte 17. Jh.)
Prélude
Allemande la belle lucrece
Courante la nonpareille
Sarabande la divine
Gavotte la dauphine
Menuett la cigale
Gigue la grande virago
Canarie la contre cheure
Sylvius Leopold Weiss from SUITE A-Dur
(1686 – 1750)
Courante
Rondeau
Sarabande
Menuet
* Pause *
(1636 – 1679) Paduana
Allemanda
Couranta
Sarabanda
Gigue
Johann Kropfganss d.j. SONATA F-DUR
(1708 - ?)
Largo – Fantasia presto
Tempo giusto
Andante ma non molto
Vivace
Minuetto I
Minuetto II
Polaca
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Lutz Kirchhof, Renaissance Lute & Martina Degen, Renaissance Viol
The variety and liveliness of a musical epoch and its favorite musical
instruments are presented in this program.
During the Renaissance in Europe there existed an intensive cultural exchange
between all countries, produced by traveling musicians and students as well as
culturally engaged royal houses.
Churches, cloisters and humanistic scholars gave to the music a spiritual form,
which permeated everyday life, and refined the minds of its listeners.
Also in the present this music is able to unfold its influences and induce a
feeling of joy and harmony.
Germany
Anon. Wol auff mein Junges Töchterlein
Valentin Haussmann Mit Lust von weniges Tages
Bei mir mein Herz
Behuet dich Gott
Anon. Tantz.N.
Frische auf mein Herz sei wohlgemuth
Hans Leo Hassler Jungfraw euewr schoen Gestalt
Santino Garsi da Parma Correnta
(um 1600) Balletto
Galiarda detta menti per la gola
Laurencini da Roma PRELUDIUM
anon. BRANLE GAY
Mainerio LA FRANCESE
(um 1600)
Cesare Negri BRANDO GENTILE
(Nuove Invenzioni di Balli, Mailand 1604)
France
Pierre Phalèse ALLEMANDE “NOLEROIT ON DIRE”
(Theatrum Musicum, Louvain 1568) ALLEMANDE “PHILIPPINE”
GALLIARDA “LA ROYNE D’ECOSSE”
ALLEMANDE “LA ROCHA EL FUSO”
BRANLE DE N.RANS
ALLEMANDE
¨¨¨ Pause ¨¨¨
Spain
Luis de Narvaez FANTASIA
(erste Hälfte 16. Jh.) DIFFERENCIAS DE „GUARDA ME LAS VACAS „
Diego Ortiz RECERCADA TERCERA/QUARTA
(Mitte 16. Jh.) RECERCADA SOBRA “DOULCE MEMOIRE….”
England
Anthonie Holborne PAVANE 2
(? – 1602)
John Dowland THE MOST HIGH AND MIGHTY CHRISTIANUS;
THE FOURTH KING OF DENMARKE;
HIS GALLIARD
MRS. WHITE‘ S THING
TARLETON‘ S RISERRECTIONE
LADY HUNSDON‘ S PUFFE
Scotland
Anonymus 3 Scottish Lute pieces
Poland
Anon. Chorea polonica
Polnische Tantz
Polnisch Tantz
Polnisch Tantz
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